Michael Ullman
One of the most astonishing sets of my week in Montreal featured two Frenchmen, accordionist Vincent Peirani and soprano saxophonist Émile Parisien.
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Among the festival’s highlights: pianist-singer Jeremy Dutcher, who arrived on the stage of the tiny space Gésu dressed in shorts and a long flowing black robe with a hood.
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Pianist Harold López-Nussa is his own bold and expressive rhythm section.
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There are no missteps on this disc. Buster Williams and company make all the complications swing, mightily.
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The music and performances on this delightful trio album are blithe and profound, a combination that should charm many listeners.
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Juan Andrés Ospina is not just an original big band writer, but a deeply satisfying one as well.
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One doesn’t have to have gone too deeply into Buddhism to recognize its influence on the titles found here, and perhaps on the music as well.
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Indo-Pak Coalition’s energized music and performance somehow manages to square the circle — it is as engaging as it is songful and intelligent.
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For poet Philip Levine, music is not only a good thing in life: the good things in life are music.
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One marvels at Bill Frisell’s improvisations, which can be both surprising and songful.
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