Michael Ullman
One of the strengths of Laszlo Gardony’s playing is his confident insistence on what he is doing, his impressive self-assurance.
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For many listeners, Zigsaw will serve as a welcome introduction, not only to a virtuoso jazz ensemble led by an innovative leader, but to the music of composer Steve Lampert.
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Blue World is valuable for its pellucid recording of takes of tunes Coltrane’s fans already love. They will have to have it.
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A sense of promise remains a hallmark of the Montreal Jazz Festival — always end by looking forward.
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The Montreal Jazz Festival is overwhelming in a way, but somehow genial, and finally inspiring.
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Satoko Fujii and Ramon Lopez are clear-eyed adventurers; this is free jazz that shimmers with inquisitive transparency.
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These records are filled with music from some of the most intriguing and, indeed, sought after, jazz musicians playing today.
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Once again, drummer Ralph Peterson pays fine homage to Art Blakey’s tradition of joyous, hard-edged bashing jazz.
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Vince Mendoza’s colorful arrangements give us a welcome new way to appreciate Fred Hersch’s impressive creativity — his amply satisfying accomplishments as a composer.
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Trumpeter Jason Palmer’s mastery is of the unimposing kind, which this piano-less quartet seamlessly reflects.
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