This is a masterful production of Sarah Ruhl’s sparkling update of Commedia dell’arte.
Dominique Morisseau’s monologues and dialogues draw you into the details of American working class life.
The Model American is a powerful reminder of how deep theatrical pockets can be used to develop deeply significant new work.
Barrington Stage director Joe Calarco has come to the material with a radically different production idea.
4000 Miles is charming, insightful, and moving, an enjoyable anthropological study of contemporary American life across the generations.
Barrington Stage has kicked off its summer season with a smart, funny, and very timely show about radical defense attorney William Kunstler.
Was this trip really necessary?
Roxane Gay is a bold writer of impressive range who experiments with magic realism, dystopia, and fantasy.
Mr. Gaga is a sensitive and engaging documentary of an Israeli artist.
Stage Kiss is Sarah Ruhl’s whimsical contribution to the age-old artistic theme of art vs. life.