Who knew that there were dozens of first-rate female American, Scandinavian, German, Swiss, French and Russian painters in Paris in the second half of the 19th century?
The Closet is funny, brash, entertaining, and utterly forgettable.
The Cake is a smart, stinging, and eerily timely comedy that feels timeless.
Having a father in prison meant radical changes in our everyday lives.
This tautly-directed, well-cast production is filled with contemporary medical, political, and social resonances.
Hunting the Truth is a handbook on how to become an effective activist and an exciting, often awe-inspiring read.
Top Girls’ conflicts and political themes seem more relevant than ever in this excellent production.
Thomas Doherty’s fragmented, stop-and-start-again style dilutes narrative authority and further complicates an already very complicated story.
It would have been wonderful to have seen either a faithful version of Threepenny Opera in German or a boldly conceived contemporary version.
Then They Came for Me is an invaluable exhibition that packs a considerable (and necessary) wallop.