August Strindberg’s Creditors turns out to be a play that speaks chillingly to our time.
Atung and Moy have a lot to say about American history and culture — acutely informed by the playwright’s 21st century sensibility and identity politics.
The action is set in an incongruous and ahistorical no-man’s land, adrift between realistic drama and farce.
Who knew that there were dozens of first-rate female American, Scandinavian, German, Swiss, French and Russian painters in Paris in the second half of the 19th century?
The Closet is funny, brash, entertaining, and utterly forgettable.
The Cake is a smart, stinging, and eerily timely comedy that feels timeless.
Having a father in prison meant radical changes in our everyday lives.
This tautly-directed, well-cast production is filled with contemporary medical, political, and social resonances.
Hunting the Truth is a handbook on how to become an effective activist and an exciting, often awe-inspiring read.
Top Girls’ conflicts and political themes seem more relevant than ever in this excellent production.