Arts Fuse Editor
Ethan Mordden’s volume openly defies anyone to dismiss the American musical as mere fluff.
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Summer 1993 is provocative, both for the raw depth of the emotions it evokes and the directness of its storytelling.
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Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
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Do the games of the Marquise and Valmont still have the same old sinful fire and political relevance?
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The Fuller Craft Museum’s appealing and thoughtful exhibit showcases a wonderful assemblage of diverse utensils and accessories used in domestic as well as professional kitchens.
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Flat Earth Theatre has made a bold and relevant programming choice, taking on a play that examines how technology can both shape our illicit desires and fulfill them with ease.
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In contrast to the contrived food shows of today, Anthony Bourdain brought class and vigor as well as creativity to his fascinating stories of food and travel.
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John Prine’s music on The Tree of Forgiveness is alert and nimble – not at all a retreat to the folkie bar.
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Apart from a few weak elements, GBS’s Calendar Girls is a well-acted, well-staged comedic romp filled with wit, warmth, and genuine insight.
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Book Commentary: “Fahrenheit 451” and Cultural Betrayal
It never occurs to him that, by championing just the great works of Western Civilization and consigning pop culture (notably science-fiction) to the flames, he’s exercising his own pernicious brand of censorship.
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