Arts Fuse Editor
Does Shakespeare need a digital makeover to stay relevant and entertaining?
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Choreographer Paul Taylor leaves a repertory that sprawled from the outrageous to the sublime.
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Summer Cannibals’ main virtue is its keen transmission of psychological warfare in families.
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Too many cultural critics look at our past through a fuzzy filter of sentiment. Chapo Trap House tackles America’s past and present idiocies head-on in a refreshingly honest way.
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Cartagena is a 500-year old urban jewel in the Caribbean. But climate change and rising sea levels threaten its heritage.
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Thomas Clerc’s novel reminds us of a stubborn truth: we are all narcissists that live to accumulate shit in rooms.
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This smaller setting allowed for more casual ease and intimacy between the audience and the band.
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Arts Fuse Jazz critic Steve Provizer responds to Dale Chapman’s book The Jazz Bubble: Neoclassical Jazz in a Neoliberal Culture.
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Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
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Arts Commentary: The Author of “The Jazz Bubble” Responds
“What is new since the ’70s is a much broader ideological shift in the business world itself, and the way in which it came to approach the jazz world as a result.”
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