Debra Cash
Susan Larson’s The Murder of Figaro is spiced with raunch, witticisms, and behind the scenes verisimilitude of rehearsal life.
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David Treuer’s expansive new history of native America from 1890 to the present looks with skeptical, Indian eyes from inside simplistic American symbols and narratives.
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The horrors portrayed in See You Yesterday are facts, but this show does not yet address the meaning a new generation can make of those facts.
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Playful and political, eerie and goofy by turns, this exhibition brings together puppets, performing objects, masks, and puppet (and doll) performances on video.
Read MoreThe Celebrity Series of Boston gathered a distinguished multi-generational panel to consider both the legacy of Alvin Ailey and of Elma Lewis.
Read MoreFor a reader without the reference points of mid-twentieth century Lithuania and Poland, this deeply researched biography can be a slog.
Read MoreThe heart of this theatrical reboot is what it means to go for broke and bet on love, or art, or both.
Read MoreFormer Newsweek bureau chief Joshua Hammer has documented a timely story of cultural heroism.
Read MoreBrian Seibert’s history of tap dancing has unleashed something I can only describe as a tap world pissing contest.
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Arts Commentary: The Authors Guild’s Modest Proposal
Invariably, these economic realities are barriers to entry into the broader cultural arena for the less-well-heeled among us, sustaining inequity.
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