The horrors portrayed in See You Yesterday are facts, but this show does not yet address the meaning a new generation can make of those facts.
Invariably, these economic realities are barriers to entry into the broader cultural arena for the less-well-heeled among us, sustaining inequity.
Playful and political, eerie and goofy by turns, this exhibition brings together puppets, performing objects, masks, and puppet (and doll) performances on video.
The Celebrity Series of Boston gathered a distinguished multi-generational panel to consider both the legacy of Alvin Ailey and of Elma Lewis.
For a reader without the reference points of mid-twentieth century Lithuania and Poland, this deeply researched biography can be a slog.
The heart of this theatrical reboot is what it means to go for broke and bet on love, or art, or both.
Former Newsweek bureau chief Joshua Hammer has documented a timely story of cultural heroism.
Brian Seibert’s history of tap dancing has unleashed something I can only describe as a tap world pissing contest.
Filmmaker Alla Kovgan calls Cunningham 3D a new juncture at the crossroads of dance, cinema, music, visual arts, and 3D technology.
What happens when someone performs at the highest possible level of an art form and then has to give it up?