Coming Attractions
Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read MoreThe Arts Fuse Currents
Music
Cindy Lee’s “Diamond Jubilee” is nothing if not immersed in its own inner world. That’s part of its complexity, its strength, and its beauty.
Visual Arts
Film
“Hollywood’s Imperial Wars” is at its best as a bold and informative survey of the movies that the studios felt it was “credibly possible” for them to make after Vietnam.
Books
Get ready for spring with these children’s picture books.
Poetry at The Arts Fuse
Dance
Drawing on wide-ranging research and personal anecdotes gathered during the time he spent with the company, Robert Pranzatelli navigates us through the insouciance and absurdity of Pilobolus’ past.
Theater
You either go full Hollywood CGI, or you pare it down to the poetry of it.
Television
“Ripley” is one of the most entertaining and finely-wrought thriller series to come from Netflix in years.
Podcasts
In this episode of The Short Fuse, host Elizabeth Howard and Alex Waters, technical editor of the podcast, reflect on the year in an informal conversation.
Short Fuses
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Food
Flux Gourmet occasionally reminded me of the films of Peter Greenaway, who often juxtaposed the grotesque or disturbing with the beautiful and ethereal.
About the Arts Fuse
The Arts Fuse was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication's over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. Support arts coverage that believes that culture matters.
Design Commentary: The Future of Boston’s White Stadium — A Public/Private Gordian Knot
Many in the increasingly vocal community of stakeholders feel strongly that tradition, history, and student sports will be the victims of this apparent corporate/public conflict.